Twisted:             A Wish for Children

by Elsa Johnson

Perhaps it is the wind.

You cannot see a tree grow

a twist. If a tree is started on a turn

it spirals over time,  a right hand

whorl or left,  movement taking years

to reach visible  effect.  You can walk

in a grove of old trees,  all standing

straight,  spot one,  then two,  twisted

in opposite directions. Why trees do this

puzzles:   once the turn has started

so must it go on. Is it like this also

for children? Does the twist toward fear –

suspicion –  hurt –  happen early

and unnoticed, and is then bound

to the growing grain?

O Changing wind:   give my buddings

a veer toward joy.  Twist

them gentle.

Reflections on Ben Falk’s Northeast Ohio Tour, October 21-24, 2015

by Jessie Jones

Foamy, muddy water gallops over a waterfall after a severe storm in Vermont. Ben Falk then switches the camera to a quiet trickle of clear water leaving the low point on his property, same storm. Obviously, Ben’s plantings do a vastly better job of retaining water and soil than his neighbor’s.  I knew academically this could be done, but too few people have tried, succeeded and documented it well. When asked during a moderated discussion why he wrote his new award-winning book, The Resilient Farm and Homestead , that is the reason he gave. “We need more people trying things and sharing the results. There’s too much theory in Permaculture.”

Ben Falk is a young Vermont-based designer, farmer, homesteader. After I participated in a permaculture design certification course at his farm in 2013, I was eager to bring Ben to Ohio to share his expertise and vision. Earlier this fall, he completed an action-filled four day tour of northeast Ohio in October.

Ben’s tour featured two public events: University of Akron Field Station in Bath hosted a Forum for Farmers and Designers for 20 guests, and The First Unitarian Church of Cleveland in Shaker Heights hosted a public lecture, attended by over 150 guests.

ben falk uu

The tour also included site consults with six farms: Kelly’s Working Well Farm in Chagrin Falls; Light Footsteps Farm in Chardon; Spice Acres Farm at the Countryside Conservancy in Brecksville; Thorn Valley Farm in Newbury; Hershey Montessori “Farm School” in Huntsburg Township; and Terra Firma Farm in Walton Hills.

At all six farms water management, without exception, was among the proprietors’ highest priorities.  They also had questions about non-native plants and site design. Here are some of Ben’s thoughts, many of which apply to gardens as well as farms:

Water management strategies

Slow it, sink it, spread it – basic permaculture tenet

Keep it on the surface: if confined in a culvert, water will pick up speed and become a more damaging force

To slow water, build a series of check dams.

Repeated check dams built with overflows on alternating sides will cause high volumes of water to meander more slowly. Dams can be planted with woody or herbaceous perennials, creating chinampas – one of the most productive agricultural configurations in human history. Depending on scale, one can use apple trees, blueberries or herbaceous perennials (think rain garden species)

Along streambeds, ensure water has access to flood plain as much as possible. Steep and deep banks speed water flow and increase erosion.

Ponds

Ben Falk Pond

When choosing a pond site,

Consult a topographic map to calculate the volume of rainwater it will be catching, based on the surrounding slopes

Consider respective elevation, ideally at highest point or at least higher than the area to be irrigated.

Consider proximity to zones of use – easy access for irrigation, livestock watering, human use

Consider placement relative to livestock: not directly downhill from point source of manure. If this is unavoidable, use swales to direct water flow across slope and away from pond.

Pond volume should corresponds appropriately to amount of annual water drainage for the selected pond site

Environment surrounding pond

Edges should be planted with wetland species like rushes and cattails, which oxygenate the water. Even a shallow pond with low flow-through can have healthy, clear water with the right balance of wetland plants.

Perennial plants on pond banks should not be mown close to water edge as they provide shade and cover for amphibians as well as helping stabilize the banks. Margin can be mown in a scalloped pattern to increase “edge” and provide easier water access for small animals.

Shade is essential for a healthy pond and aquatic life.

Trees can provide shade but must not be planted on the pond berm.

Tall perennial plants are a good choice  – some prairie plants grow to six or more feet. 

Floating islands of plantings require some maintenance and should be removed in winter, but are attractive and can shade areas far from the shore.

Docks provide shade and protected habitat as well as human interface to pond environment.

Non-native plants

Vermont does not face the same challenges with opportunistic non-native plants, but one strategy Ben suggested is to provide competition in areas that are overgrown with unwanted, aggressive plants. Among the unwanted plants, add vigorous pioneer plants that provide desired yields such as black locust, autumn olive and Jerusalem artichoke. About which plant Ben quipped “If you can have only two tools for survival, choose Jerusalem artichokes and a .22.”

Site design

Zone 1 – This Permaculture concept describes the area you visit every day, sometimes often, such as your doorway and the walk to the car/garage or barn/animal care.

zone 1 (2)

Zone one must have good sunlight, ideally south aspect

Best location for growing food, culinary herbs

High maintenance growing should be in zone one since it’s easy to weed, water, watch for disease

Scale of permanence – site plan revolves around permanent features such as buildings, roads, contours of the land.

Place them carefully if you have a choice

Roads should be sited to provide access to all parts of property

Better for roads not to bisect open areas such as pasture

Expensive fence should be saved for property perimeter. Livestock can be contained with inexpensive, moveable electronet for mob grazing

Trees are not permanent. Even big trees, if they are placed badly and/or don’t provide a yield that you value (beauty, shade, food), should be removed

In some cases a building can and should be moved or changed in significant ways

Keep your perspective flexible – mindset should not be high on the scale of permanence!

Beauty as a yield – Ben reminds clients that beauty is a legitimate yield of a system. Indeed, Ben’s cultivation of beauty is one of the things that makes the experiences of reading his book and visiting his homestead so enjoyable.

Looking at a pond is beautiful. Looking at it through a screen of fruit trees is even more beautiful.

Plant walkway edges with a wide array of herbaceous perennials. They can be knocked down for snow removal and provide food and habitat for insects and birds. Coordinate with others to buy plugs in flats at wholesale prices. Many have medicinal properties as well (e.g. monarda, calendula).

Though mundane, it is worth considering, Ben reminds us, that all projects potentially impact property values. Consider aesthetics when planning significant work.

Ben was struck by the variety and quantity of nut trees in Ohio. We were delighted to discover that one farm had a mature chestnut tree that was bearing heavily.  

americn chestnut

He especially admired the hickory trees, which are scarce in Vermont. Interestingly, deer are also scarce in Vermont, compared to our population. He recently received a grant to provide for significant fencing in support of a grazing operation on one of his farms. He suggested concerned farmers in Ohio could seek funding for deer fencing.

The most coveted role in Ben’s entourage seems to me to be that of host and chauffeur. I was honored to attend all consults and events as well as provide room and board. Ben is a wise, patient, down-to-earth guy. His tour was an unparalleled learning opportunity and inspires me to start right away planning another guest for next year!

Goji Berries for What?

by Tom Gibson

Now that I’m getting bumper crops of goji berries, I’ve got to figure out how to eat them and all their reputed antioxidants.  Ingested by themselves, nobody I’ve met seems to like them much.  Neither do the birds, bugs, and deer.  The brilliant red-orange berries–presumably visible to most critters–kept emerging all fall and remained virtually untouched .

The goji berry’s mild bittersweet taste does make a nice, but understated contrast as an addition to an apple/orange salad.  But the sheer volume of my harvest this fall necessitates a search for more variety.

A web search has turned up a winner. My wife and I would give

the recipe below between a B+ and an A-. And the dressing

would work well on all kinds of salads:

Ingredients

Salad

1 heaped cup red cabbage, shredded

1 medium beetroot, grated

2 carrots, grated

Corn cut from 1 corn cob

1 spring onion, cut on the diagonal, white part only

To garnish: Chopped coriander (cilantro) and a sprinkle of goji berries

Goji Dressing

¾ cup goji berries

4 tablespoons apple cider vinegar

1 tablespoon ginger, peeled and chopped

1½ tablespoons white miso

1 tablespoon tahini

Pinch of salt

Grind or two of black pepper

Instructions

Salad

Put the cabbage, beetroot, carrots and corn in a bowl and sprinkle over the onion, gently mix, and garnish with coriander and goji. Set aside while you prepare the dressing

Goji Dressing

Place goji berries into a glass or mug, and cover them, only just, with filtered water. Let them to soak for up to half an hour till nice and soft, keep the water – don’t throw it out

Blend all ingredients with the goji and their soak water till you’ve reached a nice consistency, then pour liberally over the rainbow salad and serve.

One Caveat: The recipe above is clearly meant for dried goji berries, not fresh.

Here’s what my fresh ones looked like:

gojiberrysalad IMG_2374

At 3/4 of a cup, this quantity of goji berries is at least equal to--and maybe more than--the tiny Whole Foods packets of dried berries which sell for $17 apiece.

The end result is as tasty as it is colorful:

IMG_2376

Perennials that won’t tolerate leaf mulches by Thomas Christopher of Garden Rant

GARDENOPOLIS Cleveland thanks Thomas Christopher and Garden Rant for this interesting and relevant article.

Perennials that won’t tolerate leaf mulches by Thomas Christopher

In a recent post, Evelyn Hadden shared some very useful tips on how fall’s leaves can be used in the garden.   As a perennial enthusiast, I’d like to add a couple of caveats – a mulch of autumn leaves can be fatal to certain kinds of perennials.

A mulch of freshly fallen leaves applied an inch or two thick, or even just a heavy leaf fall from nearby trees, tends to keep the ground beneath it damp, especially if the leaves are large and you don’t shred them before applying them (I always recommend shredding leaves with a dedicated leaf shredder or a lawn mower when using them as mulch).

Because they keep the ground damp, leaf mulches of any kind, shredded or otherwise, are not beneficial for silvery, woolly-leaved plants such as lamb’s ears (Stachys byzantina) or lavenders (Lavandula spp.).  These plants are adapted to dry sites — their silver hue and hairy surface are adaptions to protect them against dehydration and drought – and they will rot if  kept consistently damp.

IMG_7115

Gray, hairy plants like this lamb’s ear won’t tolerate leaf mulches 

Other perennials that won’t tolerate prolonged dampness include many culinary herbs such as thyme, oregano, and sage, all of which are native to the dry, rocky soils found around the Mediterranean. In fact, Mediterranean plants as a whole generally do not flourish when swaddled with leaves.

Succulents likewise will rot if kept damp; keep leaf mulches away from your sedums.  Alpine plants are also vulnerable to damp, especially in wintertime – do not use leaf mulches in the rock garden (a gravel mulch is far better there).

Finally, as Dale Hendricks emphasized in a recent email, leaf mulches are also problematic for herbaceous evergreens such as heucheras and hellebores.  If the mulch is applied simply by raking or blowing leaves onto the garden bed, then it is likely to bury the perennials’ foliage and interfere with their wintertime photosynthesis (a heavy leaf fall from nearby trees can achieve the same thing if left undisturbed).  When used around evergreens, I recommend shredding the leaves thoroughly and then tucking the mulch in by hand so as not to bury the foliage.

IMG_6941

Care must be used in mulching evergreens like these coral bells

Photos by Susan Harris.

Perennials that won’t tolerate leaf mulches originally appeared on Garden Rant on November 28, 2015.

Origami — Why Did She Do It?

by Elsa Johnson

Origami – in a snit of pique – swept

the table clean of the red and clear

yellow she had been working on –

nothing was right – and they drifted

down to the white below.

Or…   Work complete

she lay aside the scissors

and cleared the table off.

The leavings drifted

to the white below.

Or…   Cupboard so full

that she must edit – only

the best remain.  The rest

drift    to white below.

Perhaps   benevolent

she chose to share…

and they drifted down

to the white below.

Or – mistress of her craft – Origami

gold with joy   clothed in her best

white dress   fills her arms with

glowing red and yellow    spinning

throws them…     Slowly swirling

they drift down

to the white

below.     

GARDENOPOLIS Cleveland Plans Pollinator Pocket Project!!!

News from the trenches: GARDENOPOLIS Cleveland proposes planting Pollinator Pockets around the city!

Gardenopolis_PollinatorPocket_final_o

The need to establish habitats for pollinating insects has been much in the news lately. Many homeowners have been inspired to do their part and we are inspired to help them to do so. Our grand goal is to facilitate the planting of a series of carefully curated 5’x5’ pollinator pockets throughout the Cleveland urban area. According to a number of sources these small plots are enough habitat to nurture and sustain a variety of pollinators, including bees, butterflies, moths and other needed insects.

butterfly on coneflower 2

We think this is a great idea—a manageable  and incremental way for each of us to do our part. And, just think how beautiful it would be if each block had a series of such plantings!

Right now we are preparing the soil of 7 sample plots around Shaker and Cleveland Heights using the lasagna mulching technique (layers of newspaper, straw, leaves, manure, compost and wood chips.)

jane lasagna mulch

In the spring we will install  pollinator plants for all-season bloom and deer-resistance. We will provide participating homeowners with an instruction manual for the maintenance of the chosen plants. You will be able to identify our Pollinator Pockets by the yard signs posted near the pollinator pockets. Sound appealing? Next year you may yearn for one of your own. We will keep you posted as to pollinator plot progress and how you may sign-up.

Watch for our sign: 

Gardenopolis_PollinatorPocket_final_o

The Peril of Plant-Lust

“You Will Regret It.” I have said that at times to my more willful landscape clients – and even on occasion to myself — when they or I have succumbed to an ill-advised plant-lust. Live and learn, with the emphasis on the latter.

We have written in Gardenopolis about akebia, the vine that’s willing to take over the world of your back yard and your neighbor’s too; …and we have also heard a rebuttal argument that through the practice — the firm hand — of good husbandry, akebia can be made to behave appropriately and thus be enjoyed. Good husbandry in this context means being a responsible gardener, which means understanding any potential negative long term consequences of planting specific invasive plants, and either undertaking the maintenance needed to contain them, as with akebia, or deciding that perhaps it would be better not to plant it at all: after all, you may control your akebia, but should you move, will the next owner of your house? 

Some other plants that also fall into this category are most barberries, multiflora rose, and many non-native honeysuckles (lonicera). The problem with these plants is that their fruits are eaten by birds, the seeds are ingested, and then released elsewhere, perhaps miles away. So, for example, barberry can now be found deep in the pristine woodlands of Holden Arboretum, or closer to home, in our secret jewel, Forest Hill Park, where multiflora rose has volunteered itself, as well as the barberry. When I go to visit my son in Connecticut I sometimes walk a power-line nature trail near his house that is completely overrun with multiflora rose. No one planted them.

In some states the nursery trade is discouraged from stocking certain barberry, while a few other barberries, such as ‘Crimson Pigmy’ or ‘Helmond Pillar’ are allowed as they are considered less invasive.  I have a ‘Helmond Pillar’ in my own yard and I watch it closely. This year it is loaded with berries (most years berries are sparse). My own theory for why it may not be invasive is that because of its very tight, upright growth habit birds just don’t use it; I never see birds landing on or roosting in this plant.

Helmond Pillar

For years I had an ordinary green barberry that grew right under a window. It came with the house when I bought it. I kept it for its deterrent value, but cut it back hard several times each year (well gauntleted). The birds loved this barberry and roosted in it all year, but especially in winter, with a nice layer of snow on top.  This year I ripped it out.  I will plant something else for the birds– maybe next week. I’d like to get something in before the snow flies; my cats like to sit on a cushion in the window and watch the birds. Since they are indoor cats I allow them this indulgence.

More on other invasive plants another time.

Nature at Night

by Tom Gibson

Like my colleague, I respond to the beauty of Manet’s and Monet’s gardens, but perhaps a little less enthusiastically. I like my Nature more “tooth and claw.”  I was fascinated this summer, for example, when I saw a wasp stumbling across the ground of my garden carrying paralyzed prey on its back and looking for its burial hole (and egg-laying site). Something like this…

Digger Wasp

So it should come as no surprise that my favorite artistic renditions of nature lean more to Bartok.  He was enthralled by the sounds of “Nature at Night” and kept returning to that theme again and again.

Here’s a typical movement from a Bartok piano piece entitled “Out of Doors.”  Go to minute 6:38:

 

Here’s an even more ominous version of Nature at Night , the Bartok #5 string quartet played by the Takacs Quartet.  Go to minute 9:13:

https://www.youtube.com/watch?v=upoFCdhqgX4

CMA Garden Exhibit Review: Did He Really Paint in the Garden in His Summer Whites?

by Elsa Johnson

10_Louis_Comfort_Tiffany

Wednesday I went back to the garden exhibit at the Cleveland Museum of Art for the third time. I like just wandering through, letting my eyes pull me to what attracts them….and every time it is when I come to the ‘international’ second half of the show, that the picture of Louis Comfort Tiffany by Joaquin Sorolla, reaches out, grabs me, and stops me in my tracks. There Louis Comfort Tiffany sits, handsome,  posed in front of his easel, brush in hand, reaching out in the act of touching paint to canvas, in his summer whites, surrounded by symphonies of flowers, a glimpse of the Long Island shore and a bit of blue sea or sound over his right shoulder. 

Wait. Back up. Did I say summer whites? I did.

These are not just any summer whites (did he really paint in his summer whites?) … no – these are dazzling summer whites, vibrating summer whites, summer whites made up of deft touches of many colors — never too much; always just enough – an intricate game of using dabs of color in folds and shadows to make what is hit by sunlight highlighted, heightened, and even brighter, making this sun drenched 1911 portrait of Tiffany so much more than just a portrait. Despite all the flowers surrounding him and Tiffany’s own pleasant face, it is the subtle unsubtle suit that keeps drawing one’s eyes back. 

Both Sorolla and Tiffany were immensely talented and hard-working and both achieved great success. One feels – or imagines – that between the artist Sorolla and his subject, Tiffany,  also an artist, that there is an ongoing conversation comprised of an intimacy of understanding the job, and shared humor at the joke (surely they didn’t paint in their summer whites). As we look at the painting, we are standing where Sorolla stood. That vibratingly white, light obsessed suit is the medium of discourse.

There are two other paintings by Sorolla on either side of the Louis Comfort Tiffany picture. Both, pictures of Sorolla’s home in Spain, are also light-filled, but it is a softer light, more diffused, luminous and shimmery, and the handling of the paint and thus the effect so different from Monet’s more visceral application — and this exhibit is really, when all is said and done, about Monet. But, still, it can be very nice to stray from the main course.

Should you find yourself as the result of the exhibit — or this small tidbit — interested in the Spanish artist Joaquin Sorolla, you can go to www.joaquin-sorolla-y-bastida where you will find a biography and a file of more than 300 images of this very prolific artist’s work. (I mean, really – would you paint in your summer whites?)   

Seethe

by Elsa Johnson

 

rushing-water

Not susurration   this present wind   That would

be a softer stirring  …the trees’ leaves tendering

whispers of intimate rubbings – touch – green leaf

to green leaf    in quiet communication …but

this wind is a boil  …seethe of leaves whipped — 

funneled to furious    yet not destructive : a

life-full sound and so  …sustaining    Eyes closed   

this seethe could be sound of a strong tide

running on a blind night… sea swirled and churned

to froth and foam    spume and fume also wind

driven    The moment? – immersive :  sight nothing   

sound everything   Solace…  when time stops

(or seems to) …eyes closed   ears open   hear

this roaring sibilance born   not of rage