Permaculture Controvery–Tom’s Reply to Elsa

by Tom Gibson

I hear and respect Elsa’s pain.  And I empathize further with anyone unconvinced by permaculture founder Bill Mollison’s rather blithe definition of the term as “working with the processes of nature to grow the most food with the least amount of effort” and his frequent invocations of “hammock time.” (Ha!)

But I think there’s also danger in conflating permaculture with organic gardening.  “”Permaculture is always “organic”, but “organic” is not always “permaculture.” And, done correctly, permaculture can bring greater yields with less effort. Moreover, as I’ll try to demonstrate  in a bit, the last 15 years have brought fresh thinking on how to increase the yield/effort ratio.  (Kind of amazing if we contemplate all the millennia humans have focused on this very problem!)

First, some essentials on how permaculture increases yield per sq./ft:

● Planting perennials instead of annuals. This eliminates the standard practice of tilling, among other things, and builds soil rather than degrading it.

● Filling available ecological niches with companion plantings of different height, root size, fruiting times.  This eliminates significant weeding and often–say, if one companion plant is a nitrogen fixer–strengthens companion plants.

● Slowing water flows via swales, fairly heavy mulch and other methods. Making water available to plants longer means less watering.

There are others (many of which we’ve seen work in practice), but you should get the idea. 

Second, here’s some of that “fresh thinking” that may or may not fit any formal definition of permaculture, but certainly complements it.

● Nutrient balance.  We’re learning just how important to plant health it is to have full nutrient balance, and it’s having a dramatic effect on yields.  One of the leaders in this thinking is an Amish wunderkind from near-by Middlebury. See this article in the Atlantic: http://www.theatlantic.com/health/archive/2014/10/the-amish-farmer-replacing-pesticides-with-nutrition/380825/

● Biochar.  Biochar is wood cooked in the absence of oxygen (like any charcoal, but without the petroleum additives), but used for growing plants instead of cooking them.  It seems to be especially good at restoring highly depleted soil–just as it did for the pre-Columbian dwellers along the Amazon who used it to create rich, productive food forests.  Starting with anthropological studies of this version of biochar called terra preta, it has become one of the hottest topics in soil science, as well. http://www.cornell.edu/video/johannes-lehmann-finds-key-to-new-energy-soil-fertility-in-biochar

● System of Rice Intensification. It turns out that rice actually grows more productively when it isn’t flooded!  (Think of all those geography book pictures of water-filled rice paddies and farmers working their water buffalo!) Instead, farmers in India and elsewhere have been quadrupling yields simply by coming up with a different routine. http://www.theguardian.com/global-development/2014/may/13/miracle-grow-indian-rice-farmer-sri-system-rice-intensification-record-crop.

In short, conventional organic horticulture/agriculture is undergoing a dizzying rethinking. A lot of that is already feeding into permaculture.

Besides, permaculture has also broadened significantly since Bill Mollison’s early definition.  The concept now fully embraces such concepts as energy (solar power, rocket stoves), water (cisterns, gray water, leaky tile), and, especially, community.

The most immediately accessible example of such holistic thinking that I have found is this series of videos from Alberta: http://permaculturenews.org/2015/11/24/our-permaculture-homestead-video-tour/

When I look at the neighborhood in these videos, I also see Cleveland. We’ve got the same naked roofs waiting for solar power, the same gutters waiting to be fed into cisterns and leaky tiles, the same barren lawns just waiting for low-maintenance food production.  And, not least, we likely suffer from the same frequent human isolation—–isolation that is waiting for a chance to escape into the embrace of real human   community.  We could do what Rob Avis and his wife have done in just a few years and have the same energy, water, and food independence–with modest long term cost and effort.

Make Your Own Kale Chips!

 by Ann McCulloh

It’s easy, yummy, low-carb and there’s no foil-lined bag to throw away.

5Kale finished resize

Kale is prolific, cold-hardy and very ornamental.

1Kale plant resize

It’s so full of nutrients that it’s consistently included in lists of the Top Ten most nutritious foods.  Crispy kale chips are a revelation – a delicately crunchy treat that have replaced potato chips in my almost-paleo diet.

Crispy Kale Chips Recipe:

Take 1 bunch of curly kale greens. Wash and dry very thoroughly. Preheat oven to 400 degrees. Tear kale leaves from the midrib,

2Kale midrib resize

rub gently all over with olive oil and then sprinkle lightly with kosher salt.

3Kale oiled resize

It’s easy to overdo the salt, so just a touch-you can add more later. Adding fresh garlic to the oil, or a grind of fresh black pepper are fun and easy variations. Spread the pieces loosely on a foil-lined cookie sheet and toast for 10-12 minutes in the oven.  It’s best to use several cookie sheets to avoid crowding the chips. Leaves will get crisp and just browned at tips.

4Kale crisp resize

 You may need to remove the most-browned ones from the edges, and put the pan back in the over for another minute to crisp the ones in the middle of the pan.

I chop the leftover center ribs, and add them to my next stir fry or batch of sautéed greens. You can even freeze them if you aren’t using them right away.

Sonnet to a Spider

by Elsa Johnson

It was a strange place to call home   If you’d been

bigger you’d not have fit the gap in the passenger

side mirror where you’d anchored one end of your

filigree web    I’d glance over as I sped down

the road and there you’d be — not tucked safe in your

den but gale tossed   scrunched to a blip   a small

ship clutching threads   When I’d arrived where I

was going    thinking to find you desiccated –

dead –  you’d unfurl your spider legs no worse

for wear    I began to think you liked it     You 

went everywhere with me until the day I 

chose for you a less dangerous life    (I hoped)

Miss you     see you still  :  goggles    jacket    

thin silk scarves trailing in the slip-stream wind    

Take Two: Diana Sette asks, “What is Permaculture, Anyway?”

by Diana Sette, as originally published in Permaculture Design magazine
PcDM98

What is “permaculture,” anyway? Maybe you hear people talking about it all the time, and still have no idea what it is. Maybe someone loosely recommended to you that you check it out, because it might interest you. Maybe picking up this magazine is the first time you are seeing the word. Whatever brought you to this point, I can assure you that there is something in permaculture for you. I can also assure you that even for many permaculture practitioners, it can be challenging to pin down in a quick ‘elevator speech’ what exactly permaculture is. Some say it’s a movement; some say it’s a collection of growing methods; some say it’s philosophy. In this article, we will focus on permaculture as a design system. During my Permaculture Teacher training course, our teachers challenged us to take five minutes to come up with a definition for permaculture. Some people came up with it quickly—some needed more time.

Overall, the variety of definitions painted a colorful array of nuances and subtleties. Hopefully, this article will leave you with a clearer sense of what is permaculture, with ways in which you may be able to take the next steps on your journey.

Beginnings

First, let me break the word “permaculture” down for you. “Perma:” short for “permanent.” “Culture:” short for “agriculture” and also “culture.” So you can think of “permaculture” as simply “permanent agriculture” and “permanent culture.” We don’t mean “permanent” in the sense of unchanging, but rather in the sense of a deep sustainability. The term was coined and popularized in the mid-70s by two Australian ecologists, Bill Mollison (1) and his young student, David Holmgren (2). “Permaculture” is now a term understood on a global scale.

Permaculture_principles_1_t633x500

Contrary to what our digitized and mechanized culture may present at times, humans rely on the land. Our ability to survive rests wholly on plants’ ability to capture the sun’s energy and translate it into a form useable to us through photosynthesis. From the land, we create our food, shelter, water, and clothing—and also our culture. Traditionally, human cultures centered on the seasonal rhythms and cycles of the earth. Observing that the world has grown alienated and disconnected from our intimate relationship with the earth, permaculture looks to re-center our systems (be it food, economic, political, etc.) in the flow of energy and the cycles of nature.

IMG_1467Calendula seed abundant in regeneration.

As we face extreme global catastrophes—climate change, war, and hunger, among others—we can see that if human societies do not change course, we will perish, and the earth will continue to adapt and go on without us. Therefore, the more we work with the earth, learn from her natural cycles, and model human systems on ecological models of adaptability and resiliency, we can better weather the storm to create a permanent and resilient culture. Permaculture proposes this approach.

More than fancy gardening

Permaculture is a holistic, ecological design system that can be applied to everything from urban planning to rural land design, from economic systems to social structures, and everything in between. It is not only one set of practices, or a philosophy—it is a way of integrated thinking, using a set of design principles to work with nature’s energy. This ecological perspective sees the world as a complex web, rather than as a complicated series of segregated events or discrete elements. The design system can produce a paradigm shift that may be comforting and inspiring to those who feel as if they are constantly putting energy into a system (whether it’s their home garden, farm, political, social, or economic work) that never seems to change or offer much of a yield as compared to the input. Permaculture is a way of designing the world we want that cares for the earth and people so that all needs are met in an equitable way. Permaculture design is abundant systems thinking, and prevents the constant banging of one’s head against the wall when faced with supposed constant scarcity. Because the point is that by working with rather than working against natural forces, one can minimize inputs and harvest maximum outputs. It’s a simple idea at first glance. Yet, it is an integrated system with many facets—anything can be viewed through a permaculture design lens.

The Permaculture Design Course (PDC)

As an integrated design system, permaculture incorporates numerous disciplines of study and practice. These disciplines are presented in a PDC resulting in a certification as a Permaculture Designer (3). Because of the numerous systems in which these design principles can be applied, the PDC covers a sort of introductory buffet to design topics that emphasize the core ethics: Earth Care, People Care, and Fair Share.

Each PDC covers Introduction to Permaculture Ethics, Meta-systems, Permaculture Principles, Pattern Language, Design Methods (site analysis and observation, zones, and sectors), Natural Systems, Climate & Biogeography, Ecosystems & Ecology, Earthworks/land forms, Water, Soils (microbiology, remediation, regenerative practices, compost, carbon sequestration), Forest (tree and mushroom cultivation), Arid & Tropical Regions, Cultivated Systems, Home Systems (root cellars, medicinal herbs), Microclimates, Building Design (natural building, energy efficiency), Greenhouses, Forest Gardening, Aquaculture, Agroforestry (alleycropping, forest farming, riparian buffers, silvopasture, windbreaks), Seed-saving, Waste Treatment (grey and blackwater, humanure),

IMG_1965Composting outhouse in Vermont that helps to cycle nutrients on-site.

Energy, Appropriate Technology & Tools, Livestock (pasture management, holistic animal care), Social Systems, Urban/Rural/Suburban Ecologies, Community Design, Economics (local, slow, and regenerative), Invisible Structures (governance structures, personal patterns), Broadscale Farming & Land Use (keyline design, land trusts), and Ecological Restoration & Wildlife.

The standard PDC is an intensive 72-hour course, sometimes split into two separate weeks or several weekends. Various teachers emphasize different subjects, but all PDCs should touch on all the above.

IMG_1861 Daniel and Rosemary checking out an aquaponic system in action at Seedfolk City Farm (http://seedfolkcityfarm.org) an urban youth farm in Rochester, NY.

Considering that any one of these topics warrants a life study (!), there are numerous entry points to design resilient systems. A PDC is a way to step outside your daily life and take a fresh look at an expansive array of topics. Permaculture marries indigenous ways of knowing with regenerative agriculture, modern green infrastructure, and progressive socio-politico-economic structures.

Permaculture is a process of looking at the whole, seeing what the connections are between the different parts, and assessing how those connections can be changed (4) so that relationships function more harmoniously.

But where to start?

My advice to someone just dipping their toes into the permaculture ocean? Get a lay of the land, observe what themes and topics attract you, and then walk toward them. Don’t try and figure it all out at once. Start small and build on your successes. Ask lots of open-ended questions and listen with curiosity. A few tips…

1. Get rooted in permaculture principles and ethics. David Holmgren presented the 12 Design Principles as the petals of a cyclical flower (5).

David Holmgren wheel

These guiding principles can be adapted to any systems thinking. Ethics are core, as People Care may seem simple, yet lead us into a deeper journey of unlearning and teaching ourselves new communication patterns and listening skills—or rethinking urban planning to be centered on the real needs of human beings. This is perhaps the area that continues to expand the most and require the most experimentation and feedback, as every city, town, neighborhood, street, house, and bedroom has its own social microclimate, and healthy social ecosystem models and patterns are myriad (6). Earth Care has perhaps gained the most attention and focus, at times creating the misconception that permaculture is just a set of practices, rather than a way of approaching a problem. Nevertheless, permaculture has a lot to offer in food growing and land stewardship. Finally, Fair Share is the third essential piece of permaculture, teaching us to be aware of the existing yield in front of us and to know when we have enough, but also to act ethically to distribute surplus resources when our ‘cup runneth over.’

2. Attend a PDC, read everything you can about permaculture, listen to podcasts, and visit working permaculture sites. A PDC can be like a trip down a rabbit hole that leaves the sojourner wanting more at the end. It is one of the best ways to get significant exposure to what’s possible with permaculture. Studying permaculture through reading (7) will help you gain more clarity to know where you want to dive in more deeply. For many people, simply spending time in a place that is a thriving permaculture model leads to tremendous shifts.

3. Find what interests you most and work from your niche. Evaluate your strengths. What existing assets and resources are already present? Use that as your starting point. What interests you? How do those interests overlap with the needs of your community? From there, take the smallest steps possible to make the biggest impact on existing systems. Maybe that means meeting your neighbors, planting perennial onions, saving seeds to plant out the next year, collecting rainwater off your roof, getting involved with or starting a food cooperative, building a humanure composting system on your property, or simply recording patterns where you are working for a year or more. Whatever your entry point, make sure to take a step back and observe the social, biological, and economic ecosystems and listen for feedback before taking the next actions. That is our civic duty as residents and stewards of this earth and of our communities: listen and accept feedback.

4. Finally, walk the walk, and work to establish good working demonstration sites. Starting with one or two systems that are manageable is wise so that you don’t become overwhelmed. In modern society, we have grown quite ignorant of energy systems, and by creating these working systems that demonstrate that there is no free lunch in ecological systems—something always comes from somewhere, and waste is food for something else—we can demonstrate a new paradigm in action (8). Share replicable systems with those who are interested, and focus your energy on creating a world we want, rather than being drained by fighting against systems that are broken. As Buckminster Fuller puts it, “you never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete.”

As one of my permaculture teachers, Peter Bane, tossed out in a PDC class one day while reflecting on ancient Viking culture, “it’s better to adapt than die.” I will add to that: better than not dying is thriving! And I think permaculture design principles and ethics present a way to rethink our current social, political, economic, and agricultural systems with new eyes embracing the transformation to thriving whole communities of abundance. ∆

Notes

1. Mollison, Bill. Permaculture: A Designer’s Manual.

2. Holmgren, David. Permaculture: Principles and Pathways Beyond Sustainability.

3. One can learn more about the standardization of PDC certification and accreditation from the Permaculture Institute of North America (pina.in), the Permaculture Institute of the Northeast (northeastpermaculture.org), or the Permaculture Institute (www.permaculture.org/what/certificate/). Also, look in the back of Permaculture Design magazine for listings of upcoming PDCs and workshops.

4. Whitefield, Patrick. What is Permaculture?

5. Holmgren, David. permacultureprinciples.com

6. A few social permaculture resources: The Black Permaculture Network and Pandora Thomas’ work, People & Permaculture by Looby McNamara, Karryn Olson-Ramanujan’s “Pattern Language for Women,” The Permaculture City by Toby Hemenway, The Empowerment Manual: A Guide for Collaborative Groups by Starhawk, Adam Brock’s work with Invisible Structures (www.peoplepattern.org), Food Not Lawns: How to Turn Your Yard Into a Garden and Your Neighborhood Into a Community by H.C. Flores.

7. See the book catalogue insert included in the magazine for great resources.

8. See “David Holmgren on Permaculture: An Interview,” The Permaculture Podcast with Scott Mann, www.thepermaculturepodcast.com. April 4, 2013.

BIO

Diana Sette is a Certified Permaculture Teacher and Designer working primarily in Cleveland, OH, after almost a decade of growing in the Green Mountains of Vermont. She serves on the Board of The Hummingbird Project (hummingbirdproject.org) and GreenTriangle (greentriangle.org), two permaculture-based non-profits working locally and abroad. Much of her work in social and urban permaculture experimentation is centered at Possibilitarian Urban Regenerative Community Homestead (PURCH) in Cleveland (Facebook: Possibilitarian Garden). Diana currently works for Cleveland Botanical Garden as the Youth Manager of Green Corps, its twenty-year old urban agriculture work-study program for inner city teens.

So, What the Bleep is Permaculture?

By Tom Gibson

What better time than January to ask that age-old question:  What is permaculture?  Actually, we trained permaculturists wrestle with the concept ourselves. Partly that’s because we don’t really like the word “permaculture”—which seems clunky and ideological– but we still use it because the rest of world (that is, the narrow part of it that more-or-less understands the term) has made the word part of standard usage. Partly that’s because the question reminds us of too many party-stopping conversations that go on for 10, 20, 30 minutes and get increasingly down in the weeds.  And partly that’s because everyone seems to have his or her own–albeit overlapping–take on the concept.

But, in the end, permaculture is a concept worth wrestling with. Few things once grasped, in our experience, seem to generate such enthusiasm. Many of our students, including quite experienced gardeners, call their exposure to permaculture and its possibilities “life-changing.” It is, in fact, a different take not just on gardening, but on life.  That is perhaps best illustrated by David Holmgren, one of the co-founders of permaculture, in his flower of interconnectedness:

David Holmgren wheel

See something in that wheel that resonates with you? That’s the point.  All of us come at the topic differently.  Over the next few weeks, we’ll be giving you our personal takes on the concept and where it can lead.  And, if you have your own thoughts on the topic, we’d love to hear from you.

BE (Before Electricity)

by Elsa Johnson

Our friend in Iceland sent the scene  :   a grave

yard    stone-cross studded   grey-sky-grey-sea    and

in another shot a rainbow muted 

melting     pale cold sun a-slant old stone walls      

It is always changing he says        That was

on the Solstice    two hours and fourteen minutes

of diluted daylight      My mind boggles

over this  :  twenty-one hours and six

minutes of dark winter night after night     

all of them tunnel hours     Our northern sires 

knew nothing else             Perhaps it was a gift      

that slow time  :   to sing  :   to  carve  :   to love in

darkness                    No    no –  no turning back you say

not for us      We are through the looking glass

Four Permaculture Insights From a Soil Fertility Course

What can a permaculturist learn from a Soil Fertility course at Ohio State—one taught mainly for future corn and soybean farmers? A surprising amount, actually.  Here are a few learning highlights.

● Nitrogen is fickle; only 15% of the nitrogen in good organic soil is typically available to plants, but those nitrogen compounds are also prone to moving through the soil,  washing away or disappearing into the atmosphere as gas.  Permaculturists can take advantage of this mobility by establishing nitrogen-fixing plants like sea buckthorn

sea buckthornthroughout their plots. Nearby plants can then access a steady flow of fresh ammonium or nitrate–their favorite nitrogen sources. 

But artificial nitrogen applied during conventional farming is way too mobile—especially for farmers who prefer to fertilize in the fall when it’s most convenient. By the time corn really needs nitrogen compounds for its July growth spurt, most of that nitrogen is usually long gone–often off polluting rivers and lakes.

● Phosphorous is stubborn; it only makes itself available to plants when it “feels” like it.  Usually it forms strong bonds to minerals like aluminum and calcium and only chooses to disassociate itself at just the right pH (around 6.2) and with the help of lots of organic matter. Even then, it may hold back. Phosphorous-rich plots may not allow plants to access this essential element because the soil doesn’t hold enough (surprise!) zinc. As one of our guest lecturers said, getting nutrients to interact productively can become as complicated as any subject in science.

Major storms, which global warming has multiplied dramatically in Ohio over the past 30 years, have exposed a special difficulty with artificial phosphorous fertilizers: The few percentage points of phosphorous that are soluble have increasingly become Ohio’s major nutrient source for toxic algae bloom. 

toxic algae bloom Any sudden rain over 2 inches and we’ve got major water quality problems in Lake Erie.

great lakes algae bloom

● Adding gypsum (calcium sulfate) can be an effective way to increase the calcium content of soil without raising pH. This has special relevance for my small pawpaw orchard since calcium helps fruit trees hold on to baby fruitlets. (My five trees, which formed 200 emerging pawpaws last spring, ultimately lost all but four!) Moreover, since pawpaws prefer acidic soils in the 5.5-6.5 pH range, gypsum offers a preferable alternative to lime (calcium carbonate), which tends to raise pH.  Finally–and of great interest to NE Ohio gardeners–gypsum penetrates hard clay soils, especially when applied regularly over several years. The dissolved sulfate half of the gypsum molecule forms a mild solution of sulfuric acid that cuts a path into the clay through which the calcium can pass.  Calcium then helps the clay form those lovely soil aggregates that gardeners dream about.structure_photo2

Calcium in its lime form, by contrast, can take years to penetrate clay.

● Leaves give out color clues about what minerals they’re missing.  Phosphorous-deficient leaves turn purple, for example, 

P deficiency

 and potassium-deficient leaves turn brown around their outer edges.

K deficiency

These signs never offer the final word, which should come in the form of a formal soil test.  But several of my honeyberry bushes turned purple (phosphorous?) last summer and five of my young salal bushes turned brown around the edges (potassium?) several weeks before their sad, dusty end.  I was able to restore one to green, expanding glory

Salalwith several buckets full of diluted urine, but I’m not sure which of urine’s many beneficial elements–including potassium–was the real savior.

I learned a lot more, but, of course, the Soil Fertility class wasn’t about permaculture. In fact, it only just barely touched on permaculture’s broad-acre cousin: agro-ecological farming–the type of farming that is represented by the Ohio Ecological Farm & Food Association (http://www.oeffa.org/).

Instead, it gave me a snapshot of Big Ag’s best thinking at a moment of major ecological and political change. Big Ag’s assumptions of ever more artificial fertilizer for ever more productivity, of course, face increasing skepticism.  Big Ag’s response seems to fall somewhere on the continuum of Kubler-Ross’s famous stages of grief–maybe between “denial” and “bargaining.” Too many fossil-fuel-based fertilizers and pesticides? Big Ag’s solution to carbon loss, climate change and pollution is more of the same:  top-down and big bucks.

Take the problem of inefficiently applied nitrogen. Why not perform remote sensing of nutrients from the air?

remote sensing of fertilityOr better yet why not develop a machine that will sense nutrient needs as it passes with sufficient height through a field of already growing corn and then apply just the right amount of fertilizer on the spot? 

A large sprayer applies nitrogen fertilizer to a field. The equipment is assisted by technology that optimizes the application of fertilizer—using it only where needed on the field. This reduces cost to the grower. Photo credit: Bill Raun
A large sprayer applies nitrogen fertilizer to a field. The equipment is assisted by technology that optimizes the application of fertilizer—using it only where needed on the field. This reduces cost to the grower. Photo credit: Bill Raun

Machines like these, of course, cost tens of thousands of dollars and are likely only affordable for farmers growing monoculture crops across broad acreage.

And that was another major takeaway from the course: Big monoculture farming is getting bigger yet.  Over half of Ohio agricultural land is now farmed, not by its owners. but by renters. These renters farm as much land as their equipment will let them. Moreover, they have little incentive to improve the land and its capacity for carbon retention. Next season, after all, they may well be working someone else’s land.

Yet even in Big Ag, the trends point in multiple directions. Those farmers who still work land they do own are showing rising interest in planting cover crops. These, of course, improve fertility and raise soil carbon content naturally. clover3They augur well for the long-term soil health of the land.  My professor says he’s never received more inquiries about which cover crops to plant when.

So what’s the outlook for our state’s agriculture?  Muddy, just like Ohio fields after all our burgeoning high-volume thunder storms.

Summer Herbs to Warm Winter’s Cold Heart

by Ann McCulloh

If there’s one thing I do that consistently lifts my spirits all winter long, it’s making tea with herbs I’ve grown myself.

There’s almost no end to the number of friendly, easy to grow tea herbs that can thrive in an Ohio garden. I can harvest a whole winter’s worth of heartwarming flavors, colors and aromas from a handful of personal favorites grown in a very small space. The following are perennials that are planted one time, and return year after year.

Anise hyssop (Agastache foeniculum) sweet, anise-scented

Lemon Balm (Melissa officinalis) calming, lemony

Peppermint (Mentha piperita) sweet, aromatic, tummy-soothing

Spearmint (Mentha spicata) similar to Peppermint, less intense

Nettles (Urtica dioica) grassy flavor, rich in iron, calcium, magnesium and potassium

Lavender (Lavandula, various types) aromatic, soothing – and pretty!

Annuals Calendula and Chamomile have been re-seeding in my garden for years, moving around at will. I just move the ones that come up in awkward spots.

Chamomile (Matricaria chamomilla) soothing, earthy sweetness

chamomile flower

Calendula (Calendula officinalis) colorful, mildly pungent, gently promotes healing

Calendula flower

I purchase the following as plants each year, because they’re frost-tender. If you have a greenhouse or very sunny window (I do not) they can winter over in a pot:

Stevia (Stevia rebaudiana) sweetens non-calorically – just a teaspoon per pot is plenty for me!

Holy Basil (Ocimum sanctum) earthy, clove-scented and warming

Rosemary (Rosmarinus officinalis) fragrant, stimulating and soothing to sore throats (sometimes survives outdoors in zone 6, but it’s not a sure thing.)

As a gardener I appreciate these herbs for their seeming imperviousness to pests, drought and disease. Some of them, like nettles and chamomile, contain so many healthy minerals and nutrients that they support the growth of neighboring plants, and are great for adding to the compost pile, too. A lovely  book about growing, harvesting and using herbs from your garden is How to Move Like a Gardener, by Deb Soule of Avena Botanicals; Under the Willow Press, 2013. I purchased my copy on-line at fedcoseeds.com.) Illustrated with gorgeous photos and poetically yet practically written, it’s a book to warm you with thoughts of summer gardens while sipping a cup of homegrown tea.

Harvesting the way I do it is pretty simple: I cut whole leafy stems before the plant flowers, bunch them and hang in an airy, shade place until dry (usually 7-10 days). Then I gently strip the leaves over a sheet of newspaper, and slide them into a glass jar. Flowers are picked in the morning after the dew dries, as soon as possible after they open, and hung up or dried on an old window screen, for a week or until crisp. That’s it, no fancy equipment, no fossil fuels, fans blowers or kits. 

herbs drying2

I keep each herb in its own separate jar, to use singly (peppermint, lemon balm) or blend at will. Just a tablespoon of lavender, mint or holy basil added to a pot of regular black tea adds a new sensory dimension. Lemon balm, chamomile, nettle and spearmint make a relaxing, restorative bedtime blend. I’m headed to the kitchen for a cup of calendula, rosemary and nettle – reviving after a couple of hours spent behind a desk!

A Poet Walks through “Painting the Modern Garden: Monet-Matisse.” Cleveland Museum of Art. October 11, 2015-January 6, 2016.

David Adams

People respond so individually to works of art, and one can never be sure where the journey of understanding will begin or end. I am sure that avid gardeners will revel not only in the paintings in this exhibit, but also in the technical details and horticultural expertise shared among the painters. Others may focus on the idea of the garden as a place of solace, so close to our most primal mythologies. As I leave aside the myriad of other possible perspectives on what was, for me at least, a stunning exhibition, I will try to describe a bit of this one poet’s journey, hoping that it might add some small grace to the journeys of others 

My first time walking through these galleries of gardens I felt an overwhelming explosion of the senses as the feast of colors leapt from the canvas in such works as these (of course, these thumbnails hardly do justice!). One can almost breathe in the fragrances, feel the touch of wind, and hear the insects flitting back and forth, the hushed voices of humans carrying their watering cans.

 
Dennis Miller Bunker, Chrysanthemums, 1888
Dennis Miller Bunker, Chrysanthemums, 1888
Chrysanthemums, 1888. Dennis Miller Bunker (American, 1861–1890). Oil on canvas; 90 x 121 cm. Isabella Stewart Gardner Museum, Boston, P3w5.

Images in this article provided courtesy of the Cleveland Museum of Art Press/Media Kit.

But after the overwhelming response of the senses, other interactions emerge as a dialogue with those long distant moments of creation, at first between poet and painting, then through the painting to the painter. What can I really see here if I just look long enough? What were you thinking as the painting came to rest as what I see? As a poet I might paraphrase Karl Shapiro’s prescient question: What is the poetry of all of that? If the poet has any luck at all, the answers blossom everywhere.

Poets have a long history of ecphrasis, using one of the other arts, usually visual arts, as an inspiration for a poem. John Hollander captures this history well in The Gazer’s Spirit: Poems Speaking to Silent Works of Art. (1995). Of course, even his subtitle begs the question of whether any work of art is truly silent. For a walk through these gardens so strongly resembles the journey through a really wonderful poem that I can scarcely let go of the experience. I can recall two other CMA exhibitions that affected me so, both in 1991. The first was The Triumph of Japanese Style, with its evocative, large painted screens that even had poems as part of the art itself. This show led to a set of “Sun and Moon Landscape” haiku. The second was Reckoning with Winslow Homer, an excursion that unfolded as a complete surprise, one that shattered all my preconceptions about that artist and led directly to one of the longest, most complex and thoroughly rewarding poems I ever wrote. So a rendered garden is also a story on its way to being.

And what can live in such gardens as these? Whatever one wishes, or even dreads. As people become more prominent in the paintings, or as the world outside the garden casts a deeper shadow in them, the stories emerge with greater force.

“Each day brings its toad, each night its dragon.” This opening line from Randall Jarrell’s “Jerome” somehow surfaced during my second view of the exhibit. Jarrell’s poem has as its framework an ecphrasis based on a Durër engraving of St. Jerome and His Lion, but quickly recasts itself as a journey into the life of a psychoanalyst—his aloneness, his solitude, the weight of the night’s dreams, and the solace brought him by the dawn. The extensive worksheets for this poem were preserved by Mary Jarrell in Jerome: The Biography of a Poem (1971). These worksheets reveal how the conversation between poet and work of art emerges and changes the resulting poem as it grows to something like completion. I believe that this sort of conversation lies at the heart of ecphrasis, at the heart of making the poem. One must imagine that painters have the same sort of interaction with their subjects.

Sjalusi i hagen, 1929-30
Sjalusi i hagen, 1929-30
Jealousy in the Garden, 1929–30. Edvard Munch (Norwegian, 1863–1944). Oil on canvas; 100 x 120 cm. Munch Museum, Oslo, MM M 437/Woll M 1662. Photo: © Munch Museum. © 2015 Artists Rights Society (ARS), New York.

The same change in what there is to see seems evident in Münter’s Woman in a Garden or Klee’s Death in a Garden.

17_Woman_in_Garden

Woman in Garden, 1912. Gabriele Münter (German, 1877–1962). Oil on board; 48.3 x 66 cm. Neue Galerie New York EL. 51. This work is part of the collection of Estée Lauder and was made available through the generosity of Estée Lauder. © 2015 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn.
Paul KleeGerman, born Switzerland, 1879–1940Death in the Garden (Legend), 1919Oil on cotton, on cardboard nailed to wood10 3/4 x 9 3/4 in. (27.3 x 24.8 cm)Gift of Mr. and Mrs. Joseph Randall Shapiro1996.393The Art Institute of Chicago
Paul Klee
German, born Switzerland, 1879–1940
Death in the Garden (Legend), 1919
Oil on cotton, on cardboard nailed to wood
10 3/4 x 9 3/4 in. (27.3 x 24.8 cm)
Gift of Mr. and Mrs. Joseph Randall Shapiro
1996.393
The Art Institute of Chicago
Death in the Garden (Legend), 1919. Paul Klee (Swiss, 1879–1940). Oil on cotton, on cardboard nailed to wood; 27.3 x 24.8 cm. The Art Institute of Chicago, Gift of Mr. and Mrs. Joseph Randall Shapiro 1996.393. © 2015 Artists Rights Society (ARS), New York.

When works such as these spark responses of such deep wonder, the question is never if a poem will emerge, but rather when it will emerge, how many will do so, and in what fashion. I read somewhere that later artists among the Surrealists and Dadaists felt the works of the Impressionists too constructed, too linear, too distant from the unconscious. That view would seem very odd to a poet just done “talking” with them, pressing the conversation deeper and deeper into the boundless garden, into the making of a painting or a poem—all the shifting lines and changes, the epiphanies and surprises along the way in these works that are never really static, never truly silent, and never the last word.

Bibliography

Hollander, John. The Gazer’s Spirit: Poems Speaking to Silent Works of Art. Chicago: University of Chicago Press, 1995.

Jarrell, Mary. Jerome: The Biography of a Poem. New York: Grossman Publishers, 1971.

What’s So Great About Hoverflies?

by Tom Gibson

Imagine sitting down with an impassioned collector of buttons to discuss his triumphs. First, a large red button discovered in an attic in Toronto.  Then a rare pearl button found at a second-hand store in Cleveland, followed by a detailed description, which the collector imagines to be droll, of the store’s eccentric proprietor. 

How soon before you want to scream?

That was my reaction to The Fly Trap, written by Fredrik Sjöberg, who has devoted his life to collecting hoverflies (202 separate species, according to the book) on an island off the coast of the Swedish mainland. I bring this book to the attention of Gardenopolis Cleveland readers because you might well be tempted to read it.  It made this year’s New York Times list of the 100 Notable Books and has gathered high praise from a Swedish Nobel prize winner and various reviewers:  ”A rare masterpiece…Graceful, poetic, astonishing, and–yes!–absolutely thrilling.”

Not. (One is reminded of a real Scandinavian masterpiece, The Emperor’s New Clothes.) The author displays an astonishing lack of enthusiasm, given his subject matter, for either nature or for the lives and roles of hoverflies; his main thrill comes from discovering species that others haven’t. In a burst of candor, he even admits to the narrowness of his passion when he describes it as “buttonology,” the collecting of something special  just to him. Only other collectors of things–saw flies, dragonflies, but also porcelain and painting seem to resonate.  Otherwise, he’d rather be alone on his island.

Instead of reading this book, I would encourage Gardenopolis Cleveland readers  to savor the real pleasure of observing hoverflies in your own gardens. They hover (of course) over your flowers, wings beating at 120 times per second, before diving in to gather pollen and darting to a neighboring blossom. https://www.youtube.com/watch?v=9_9KAyoGTXs.

They are also a great example of mimicry in nature; though harmless in their adult stage, these two-winged flies (Diptera) have evolved to scare off predators by resembling more dangerous four-winged wasps (Hymenoptera).

Their greatest value to the gardener, however, may be the insatiable appetite their highly predatory larvae have for aphids.  One larva can eat 50 aphids a day!

Hover Fly Larva Plain

Fortunately, many familiar plants attract them, including fennel, lavender, cosmos, and dill (larger list here: http://permaculturenews.org/2014/10/04/plants-attract-beneficial-insects/).  Here’s a hoverfly eating dill pollen:

hoverfly and dill